I’m excited to announce that my debut children’s book Tina Lost in a Crowd will be published on April 15 and is available for preorder. The paperback will also be available. I’ll share with you the making of the book during the book release.
On Amazon, the eBook is $1.99 from preorder to the end of April. The paperback will be $6.95 from April 15th to the end of April.
The Hardcover and eBook will be available on Barns & Noble later.
I’m grateful for Bette A. Stevens, Pete Springer, Robbie Cheadle, and Denise Finn who were tremendously helpful in the process. They generously gave me detailed feedback and suggestions beyond my expectations.
The Book Release Tour will be from Monday, April 19 to Sunday, April 25. I’m thankful for the friends who will help to host the tour. I will post their links and invite you to visit the tour.
If you are interested in helping me to host a tour, please email me at email@example.com, or comment below with your preferred date.
Here is the book cover of Tina Lost in a Crowd.
Why I Write Children’s Book
My experience of writing the children’s books was when, at age 26, I worked in Hong Kong as the Director of Children’s Department at Asian Outreach, which was a Christian literature publication company. They recruited me to design and write children’s magazines for the third grade and higher students. I modeled after a well-established local children’s magazine and wrote stories with Christian values.
This was the process we went through to publish the children’s magazines:
- I set the themes of each issue and wrote the stories, games, word puzzles, and riddles.
- My boss, David who was the Director of Asian Outreach edited the contents.
- I worked with the supervisor, Martin and the illustrator, Isaac in the Art Department on the illustration design. It was exciting to see the pages from sketches to the completed products. They were creative and artistic. On one story about the farm animals, they took the stuffed animals to a village area, used the village as the background to film the sequence of the story. I had fun going to the darkroom watching the photos being developed.
- I worked with the typesetter who did the typesetting in Chinese.
- Back in the late 1970s, there was no digital design. When the artists finished with the drawings, the typesetter would type according to dimension of space for the text and printed out the words. Isaac cut and pasted them to flow with the artworks. Then he took photograph of each page and sent the negatives to the print shop to ordered the “blueprint” which was the same size with multiple pages as the blue print for buildings.
- When the blueprint came back, I proofread the text, the artists proofread the artworks, and the manager ordered the printing of the magazines.
It was exciting to see my first magazine in print coming back to our office. I published four children’s magazines before leaving the office to come to the US.
The experience of working at Asian Outreach was a great asset to my current publication of the children’s books.